Ghazal-e Hafez

2 تا راهْرَو نَباشی کَی راهْبَر شَوی	1 اَی بی خَبَر بِکوش کِه صاحِب خَبَر شَوی
tā rā HO raw\| na bā shi i \| kay rā HO bar \|sha vi	ay bi kha bar\| be ku SHO ke\| sā heb kha bar \|sha vi
L L S L \| S L S S \| L L S L \| S L	L L S L \| S L S S \| L L S L \| S L
until you are one traveling on the the Way how will you become a road guide	oh one without clue strive that you become possessed of clue

4 هان اَی پَسَر بِکوش کِه روزی پِدَر شَوی	3 دَر مَکْتَبِ حَقايق پيشِ اَديبِ عِشْق
hān ay pe sar \| be ku SHO ke \| ru zi pe dar\| sha vi	dar mak ta be\| ha qā ye QO \| pi she a di\| be `eshq
L L S L \| S L S S \| L L S L \| S L	L L S L \| S L S S \| L L S L \| S L
watch out oh son strive for one day you will become father	in the school of truths before the scholar of love

6 تا کيميای عِشْق بيابی و زَر شَوی	5 دَسْت اَز مِس ِ وُجود چُو مَرْدان ِ رَه بِشوی
tā ki mi yā \| ye `esh QO bi\| yā bi yo zar\| sha vi	das taz me se\| vo ju DO cho \| mar dā ne rah \|be shui
L L S L \| S L S S \| L L S L \| S L	L L S L \| S L S S \| L L S L \| S L
so you may find the alchemy of love and become gold	wash your hands of copper existence like folks of the Way

8 آنْگَه رَسی بِه خويش کِه بی خواب و خُور شَوی	7 خواب و خُورَت زِ مَرْتَبَة خويش دور کَرْد
ān gah ra si \| be khi SHO ke\| bi khā bo khor\| sha vi	khā bo kho rat \| ze mar ta be \|ye khi SHO du\| RO kard
L L S L \| S L S S \| L L S L \| S L	L L S L \| S L S S \| L L S L \| S L
at that time will you get to yourself when you become without sleep and food	sleep and food have distanced you from yourself

10 بِالله کَز آفْتابِ فَلَک خوب تَر شَوی	9 گَر نورِ عِشْق حَقّ بِه دِل و جانَت اُوفْتَد
bel lah ka zā \| FO tā be fa \| lak kho BO tar \| sha vi	gar nu re `esh \| qe haq be de \| lo jā na to \| FO tad
L L S L \| S L S S \| L L S L \| S L	L L S L \| S L S S \| L L S L \| S L
by God, you will become better than the sky's sun	if the light of the love of God falls on your heart and soul

12 که اَز آبِ هَفْت بَحْر بِه يَک موی تَر شَوی	11 يَک دَم غَريقِ بَحْرِ خُدا شَو گُومان مَبَر
kaz ā be haf \| TO bah RO be \| yek mu i tar \| sha vi	yek dam gha ri\| qe bah re kho\| dā shaw go mān\| ma bar
L L S L \| S L S S \| L L S L \| S L	L L S L \| S L S S \| L L S L \| S L
that you would become by one hair (even a bit) wet from the water of the seven seas	in one moment (completely) become immersed in God's ocean, don't suspect (fear)

14 دَر راهِ ذو الْجَلال چُو بی پا و سَر شَوی	اَز پای تا سَرَت هَمَه نورِ خُدا شَوَد13
dar rā he zul \| ja lā LO cho \| bi pā o sar \| sha vi	az pā i tā \| sa rat ha me\| nu re kh dā \| sha vad
L L S L \| S L S S \| L L S L \| S L	L L S L \| S L S S \| L L S L \| S L
as soon as you are without means [head and foot] you'll be on the way to the one of Majesty	from head to foot all of yourself would become light of God

16 زين پَس شَکّی نَمانْد کِه صاحِب نَظَر شَوی	15 وَجْهِ خُدا اَگَر شَوَدَت مَنْظَرِ نَظَر
zin pas sha ki \| na mān DO ke \| sā heb na zar \| sha vi	vaj he kho dā \| a gar sha va \| dat man za re \| na zar
L L S L \| S L S S \| L L S L \| S L	L L S L \| S L S S \| L L S L \| S L
after this there will be no doubt that you become one with the vision	if the face of God be for you the focal point of your vision

18 دَر دِل مَدار هيچ کِه ديگَر زَبَر شَوی	17 بُنيادِ هَسْتیِ تُو چُو زير و زَبَر شَوَد
dar del ma dā \| RO hi CHO ke \| di gar za bar \|sha vi	bun yā de has \| ti ye to cho \| zi ro za bar \| sha vad
L L S L \| S L S S \| L L S L \| S L	L L S L \| S L S S \| L L S L \| S L
don't at all hold (the thought) in your heart that again you'll become up(right)	when the foundation of your existence becomes topsy-turvy

20 بايد کِه خاکِ دَرْگَهِ اَهلِ هُنَر شَوی	19 گَر دَر سَرَت هَوای وِصال اَسْت حافِظا
bā yad ke khā \| ke dar ga he \| ah le ho nar \| sha vi	gar dar sa rat \| ha vā ye ve \| sā las TO hā \| fe zā
L L S L \| S L S S \| L L S L \| S L	L L S L \| S L S S \| L L S L \| S L
you must become the dust of the court of the one of grace	if you have the desire for union in your head Hafez


Pattern of meter : --> Long Long Short Long \| Short Long Short Short \| Long Long Short Long \| Short Long L(ong) is a long syllable, S(hort) is a short syllable and E(xtra)L(ong) is a syllable, usually restricted to the last foot, containing a consonant cluster. A long syllable may contain a consonant + short vowel + consonant OR consonant + long vowel. A short syllable contains a consonant + short vowel. In the older stages of the Persian language, long vowels really were pronounced with a longer duration and short vowels a little shorter, however, this distinction has been lost in the modern language. Today, only a master poetry reader can produce this effect.
Meter (وَزْن ): It is essential to first figure out the meter of a poem before attempting to understand the meaning. This is how you can tell, among other things, where the ezāfe's go and how you can distinguish words whose meaning depends on a tashdid (for example serr ("secret") and sar ("head").
	Procedure:
		First, mark off the long vowels: ā, i, u, and long diphthongs: ay, aw (but careful if they are followed by a suffix)
		Then, mark off the short vowels: a, e, o

		When you see the pattern, deal with vowels which can be either long or short:
			final "he" unpronounced "he"
			word-final u/o (including the "vāv" meaning "and" in poetry always pronounced (v)o)
			ezāfe's
			any other word-final short vowels
			/i/ + vowel (especially /iyā/)
		tashdid's and hamze's are sometimes made use of and sometimes ignored.
		two Short syllables may be counted as one Long syllable
		The first syllable of a foot may (in certain meters) be short, even if the meter calls for it to be long.
		It takes some juggling to figure out where one syllable ends and the next begins. Learn to ignore spelling--syllabic units transcend word boundaries.
		If you find you have 2 consonants, one-after-another (except "nun" + consonant), you need to break them up by adding a short vowel. However, in the last "foot" or section of the verse, it is ok to have a consonant cluster and that syllable is called "ExtraLong"
Hacking up the words of a poem to bits and pieces like this is called تَقْطيع /taqti`/ "cutting" in Persian. In English it is called scanning. MORE!
References: Divan-i Hafiz Khvajah Shams al-Din Muhammad (volume 1, #478, page 972)

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Pattern of meter :

References:

Divan-i Hafiz Khvajah Shams al-Din Muhammad (volume 1, #478, page 972)

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