The Forgotten Ones
Photographic Documentation of the Last Vietnamese Boat People in the
Philippines
by Brian Doan
Nguoi Viet Daily News - Community Room
14771 Moran Street
Westminster, CA 92683
(714) 892-9414
April 17 ~ 21
Reception & Testimonials
Saturday April 17, 9am to 3pm
In conjunction with "Faceless Wounds, Nameless Peace"
Sponsored by California State University - Fullerton, History Department
Artist Statement:
The Forgotten Ones
On a rainy September afternoon in 1980 in South Vietnam, in a small
village 100 kilometers northeast of Saigon, my family received a telegram
from America. Huy and Tuan arrived safely in Palawan. It
was signed by Tan, a cousin in California, telling our family that my
brother and his friend were safe at the Palawan refugee camp in the
Philippines. We became silent for a moment, then broke out in joyful
tears. After several months waiting anxiously, the telegram appeared
like a miracle. Ever since then, the word Palawan has been
recorded in my innocent mind as the land of hope, a land of legend,
a paradise for Vietnamese asylum seekers. I very much regretted that
I had been unable to go with my brother.
In January 2004, almost a quarter century later, I finally stepped
on that legendary land, not as a refugee, but as a documentary
photographer. I was in Palawan to document the refugee camp as part
of my Vietnamese Diaspora project. Palawan did not look like the dream
land which I imagined in my childhood. Instead, here I met many miserable
people - the "left-over" Vietnamese boat people and Amerasians
who had arrived even before I immigrated to the United States in 1991.
The Palawan camp is located on the western Philippine island of Palawan,
near the city of Puerto Princesa. The camp is located near the ocean,
bordered by Puerto Princesa Airport. From here, I could see planes lining
up and taking off; from here in 1995, hundreds of Vietnamese were forcibly
repatriated to Vietnam until the denouncement by the Catholic Bishops
conference of the Philippines in 1996. In my mind, I could imagine the
other hundred thousand Vietnamese repatriated from other camps in Hong
Kong, Malaysia, Indonesia, and Thailand in the 1990s.
I followed a trail to an abandoned well, and I tried to read the names
which were carved onto the well's wall. The names were written in 1980,
but my brothers name was not there. Scattered over the grounds
of the camp were large sections of concrete slabs with many stories
of escape from Vietnam written on them. Not far away were the burning
shacks of the last Vietnamese refugees who were forced to leave this
camp a few weeks before. On the ground, there was a doll lying near
a handmade rice grinder. There was a name on the dolls dress,
faded by heat and time - perhaps the name of the Vietnamese girl who
had owned it.
On the way back to the hotel, my driver Minh took me to a small port.
We sat there in silence, watching the ocean waves meet the shore and
waiting for the sunset. A few yards away in the water was the hull of
a wrecked boat, upside down, floating on intermittent waves. Much further
away, on the other side of the ocean, was Vietnam. It takes 75 minutes
to fly from Palawan to Saigon; it took days, weeks, even months for
the Vietnamese boat people to cross that boundless water in ill-equipped
and undersized boats, faced with many misfortunes on the ocean. Many
never saw the mainland again; among them were my two close cousins Toan
and Quang.
When I had arrived in Palawan, the remaining Vietnamese boat people
were preparing for their traditional Lunar New Year ceremony. I heard
many songs expressing their life in exile and the fate of the diaspora.
I had not heard those songs for a long time; they were already disappearing
from popular Vietnamese-American music. But these songs, prevalent 20
years ago, are still favored by Vietnamese boat people throughout the
Philippines. Their lives seemed to be stuck in a backwater, far away
from any civilization - ignored by the free world and even by their
luckier compatriots.
I had insomnia for a while after I came back to America, haunted by
the stories and the lives I had witnessed. I remember the sadness in
the eyes of two little girls, Kim and Ngan. I remember the tears of
Mrs. Van as she remembered her escape and pondered her inability to
leave Palawan. I remember the hopeful smiles of these Vietnamese people,
whom I wish to see again, perhaps in America. I call them The
Forgotten Ones, but I hope that their voices will soon be h eard,
and that they will have a chance to resettle in America or another third
country. They have gambled with their lives for freedom and so
many have lost. They spent their youth and dreams for a new life in
a new world. Their wishes have now become my dream.
Brian Doan
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