MINUTES

PNWMLA BUSINESS MEETING

Seattle, Washington

May 13, 2000

Call to Order by John

Minutes 1999 in Newsletter -Moved for approval (John-moved; Laurel; 2nd)-Passed Approval

Treasurer's report given by Harry (no notes for this)

Old Business:

1. Recruitment brochure

During our last meeting in Eugene we set up a committee to produce a recruitment brochure. We asked for progress made on this brochure:

-No progress was made this past year

-Jim Cassaro (MLA president-elect) encouraged NW Chapter to apply to National for a grant for outreach. Applications are due mid-April.

-It was suggested that we target local library schools at the University of Washington and University of British Columbia.

-John asked for volunteers for a committee, no one responded.

-Second item suggested - outreach/aid to new prospects: Betty, Cindy and Paula volunteered for committee

2. Web site update:

-Thanks to John Gibbs for updating and maintaining the web site.

-Reminder to send directory updates to Cathy G.

-It was suggested that we add a link to membership form from the web page.

3. Directory update:

-Send Cathy any updates/suggestions

-it was suggested that we set up divisions for maintenance of the directory by state/region

-We agreed to make an archive (paper) edition of the directory once a year.

New Business:

1. Welcome to new members Katherine, Kirsti, and Bob. Welcome to Jim Cassaro (MLA president-elect).

Jim greeted us on behalf of the national Music Library Association.

-MLA is moving ahead with professional management, which is a very positive thing.

-We were strongly urged to apply for grants and nominate our favorite programs for the Best of Chapters sessions at the national meeting in New York in 2001.

-He asked for any suggestions for the location of national meetings.

Congratulations to Monica Fazekas (University of Victoria) for election as the new Chair-elect.

It was suggested that we consider raising dues. After short discussion is was agreed that there would be no raise in dues.

Change to Constitution proposed by John B. Not seconded.

-Extend chair term to 2 years

-Discussion ensued - This was done before but considered too much time commitment.

-Paula suggested requiring 2-year minimum membership before being eligible. Not seconded

Paula moved to add to officer "meeting arrangements". This officer would be responsible for hosting meeting and shall be responsible for the program in consultation with the Vice-Chair/Chair Elect. This motion not seconded.

John Gibbs brought up listserv suggestion to collect/digitize Northwest musical materials. Paula proposed to scrap brochure and do this. www.lis.washington.edu/music/projects.html has similar collections. General agreement to check collections for idea of scope.

Leslie strongly asked for people to consider running for the national MLA board!

John Gibbs brought up again providing assistance to members to attend meetings through Grants from National and using our own Treasury money until grant application is approved.

Leslie checking into Kevin Freeman program as a model, will set up guidelines and send out e-mail with proposition.

Next year's meeting in Pullman. Possibly put together 45 minutes of music for Friday noon concert series in the library. Following year in Victoria.

John officially thanked Hollis, Kirsten, Cathy.

Meeting adjourned at 1:01 PM

· Beverly Stafford

Music: Betty Woerner and I have formed a band to play English country dance music; the name of our ensemble is Zephyrs and Flora. This lovely name is actually an English dance title, an old dance from 1728. Betty plays piano, and I play flute; we have played for several dances at this point, and are looking for a fiddle player to add a third sound. So, if you are visiting in Portland and would like to get together to play some tunes, just let us know.

The English Garland Dance group I play music for has now been in existence for 5 years, and we are planning some new dances written by members of the group for the next season, beginning in May.

Library: I enjoyed the Louisville conference, and came home with new projects. One was to review our loan/photocopy policies for music sent to other libraries, and send copyright policy statements to libraries we loan music to most frequently in Oregon.

Another project I am working on currently is setting up a small digital exhibit of Portland music from 1900-1920, after listening to Lois Schultz from Duke University. This is a much smaller project than the Duke online sheet music web site. We have a good selection of music scores in our library from 1900-1920 written by Portland composers, which we are combining with photographs from the Oregon History Center Library. The inventories and photographs were compiled with the help of one of the OHC staff, and I am now working on the web site and scanning music. This project is not finished yet, but hopefully will be completed by the end of December.

I attended the workshop "School for Scanning" in Seattle, in which they advised "start with a small project". This project certainly fits that advice, and though it is a small project compared to Duke, it is exciting to play through the music we have with one of the music volunteers and look at the photographs of composers and music events, including programs from old Rose Festival concerts and other events. Other PNW MLA librarians are beginning to work on similar projects, and we are all meeting soon to begin thinking about NW collections in a larger sense.

OTHER: This year has gone by very fast, I hope all is well with all of you, and I look forward to seeing you at the next occasion, perhaps NYC. I have enjoyed the notes from you while I have been working on updating the directory.

Another project I am working on currently is setting up a small digital exhibit of Portland music from 1900-1920, after listening to Lois Schultz

· Terry Horner

It has been a pleasure getting to know the members of the Chapter having taken on the responsibility of the Chapter Newsletter.

At UBC we have completed many projects mostly having to do with space problems. We are happy to say that we have moved a ‘few thousand’ low-use books to the Main Library, pitched our card catalogue, and made space for four new CD cabinets. Now we should be OK for space for at least a few years!

From a cataloguing point of view we have managed to get our scores backlog down to a bare minimum and are current with our CD, microforms and video backlog. We have also completed our first run of Recon. DRA clean-up after three years of implementation is still an ongoing problem. We still accept a copious amount of gifts, a product of so many people retiring or taking early retirement. Music Library sales are very popular at UBC!

The Music Library also took on the responsibility of the Wilson Recordings Collection, a circulating collection of LPs and CDs. A separate fee to use this collection is no longer applicable. This is especially popular with the music students.

I have also been in consultation with many chapter members about a digital sheet music project and more people are becoming interested in making this a reality. Some of us will meet in Seattle in November to get the ball rolling. I have had only enthusiastic response from local musicologists, archivists and librarians in the Vancouver area. I have been experimenting with scanning and the creation of MIDI files. Hopefully in the not so far future we will have something to demo at one of our chapter meetings.

I do hope to attend MLA in New York in February and expect to see many of you there. I’ll also take some time then and see family and friends in Ontario. I haven’t yet planned any other trips this year, but hope to visit friends in Winnipeg and Saskatoon in the spring. Meanwhile, I enjoy exploring more of BC and the Pacific Northwest with trips to Vancouver Island, Seattle and Portland.

· Leslie Bennett

With the advent of the UO's football team (whom I've only watched in person once-and that was a fluke!) gaining top rankings, you can only imagine the excitement that event generated in the Knight Library's Music Services Department. (Commence yawning now!) We're relatively calm this year, with a complete staff of two of us to serve the music patrons of the University.

The new Douglass Room supervisor, Terry McQuilkin, is a D.M.A. in Composition graduate of the UO and has been on board since March 24th. He seems to be enjoying working here-and has just experienced his first fall quarter of hiring and training students-and I haven't lost him yet- so things are looking good.

It has been another quiet year on the MLA Board-not!!!! As I'm sure you're all aware of, we've had one controversy after another discussed on the MLA-L list, primarily aimed at the Board's judgement. I could only hope that some of you will run for the Board so that you experience this process first hand! (And, in fact, we have a candidate from the Pacific Northwest -Debby Pierce- who is running! It has especially important that we support her, as even small voting blocks can make a difference in our election process for MLA.)

If you have opinions that you would like to share with me about how MLA is functioning in these days of strife, please let me know. I can be discreet-and I need to know what you all are concerned with, so that I can truly represent you to the Board. My last board meeting is right before the New York meeting-so your thoughts are especially timely!

On the personal note, our Douglass Room squirrels are busily building nests in the air vents of the Library, in order to entertain us with their babies in the spring. And, on a completely separate note, we are actually re-indexing the 20,000 popular sheet music collection that many of you may have heard about in past meetings. While the old index (produced with those wonderful keypunch cards of yesteryear) died, due to lack of foresight in converting them while there were still machines to read the data, we're going to provide new and better access to the collection. Perhaps the index will be far enough along to share with you at our next PNW/MLA meeting- with any luck, on the web! (The index that is, not the meeting!)

I wish you all a happy and warm fall- and hope to see you all in New York City, which should be a great meeting! Don't let the registration and hotel prices keep you from coming: there are lots of wonderful events that the local arrangements committee will be providing, including a breakfast the first full day of the conference, that may actually make this an affordable conference!

· Robert Puff

It's been a long time in development, but electronic publishing for music may finally be coming of age.

Over the last few months, several new electronic publishing solutions for music, which integrates some form of copy protection and e-commerce, have appeared. A common thread of these systems is that they allow the user to preview printed music visually and aurally before the full printable version is purchased.

A pioneer in the area of digital rights management and electronic publishing is here in the Pacific Northwest. Many of us have already been hearing about Sunhawk's proprietary Solero software which allows users connected via the Internet to view, hear, interact with, and then print music, once it is paid for (www.sunhawk.com). These purchased files are encrypted at all times and can only be decrypted by a unique "key" provided upon purchase. If this digital file is copied to another computer (even one with the Solero software) the recipient cannot open the encrypted file.

Although the notation scanning / engraving / editing software portion of Sunhawk's technology is not widely available to the general public as of this writing, components of Sunhawk's Internet preview / purchasing system for printable, ‘playable' music have inspired music software developers to create their own versions of printed music delivery systems which are based around the notation software itself.

Sibelius (www.sibelius.com) is a popular music notation / music engraving software package being aggressively marketed to music publishers. The Sibelius application, and the companion freeware browser plug-in ("Scorch") offers secure encryption and control over the functionality available before and after purchasing:

1) Whether customers can view the whole score or only specified pages until paid for.

2) Control over printing. Customers can print a free sample page, pay to print the whole score or print the score free of charge. Printing can also be completely disabled.

3) Play back of the score. This option can restrict playback to a fixed length preview.

4) Transposition of playback and printing is supported.

Finale, from Coda Music Technologies (www.codamusic.com) recently formed a partnership with Net4Music (www.net4music.com) to provide a secure e-commerce server for printed music files created by individual composers and publishers who use Finale software. Its browser plug-in (available before the end of the year) offers nearly identical functionality and security to the Sibelius delivery system.

Although its technology also makes use of a browser plug-in, Igor (www.noteheads.com) uses a different approach. This notation software, currently offered as freeware for the Mac, and soon for PC, visibly watermarks printed music pages until paid for. Once the music is purchased, this watermark disappears, and an alternate copyright line can be made to appear (i.e. "used by permission" etc.). Noteheads also offers an online store on their website where unknown composers can offer their music securely for sale on a grassroots level.

Not to be overlooked in all the excitement is the venerable Portable Document Format (PDF) by Adobe. Although not strictly for music, this format provides high quality printed output of text and graphics. Password access to previewing, editing and printing are currently supported and additional features will certainly be added as electronic documents of all types become more standard.

To counter its lack of music specific features, PDF offers a database management advantage over its proprietary music counterparts. Text contained within a page of music, such as title, composer, lyrics and annotations can remain as text within a graphical music document. This makes it possible for a database search engine to retrieve document specific information without relying on a synopsis. For the first time in history, composers not affiliated with a publisher can offer their music to a world wide market via one of several e-commerce delivery systems, or post their copyrighted music for free review in order to draw interest to their works. Publishers can offer searchable online databases so users can search for music by specific criteria faster than ever before. And the ability to preview music both visually and aurally while protecting it from unauthorized download or transfer should be a real boost to the music publishing industry.

· Sheila Knutsen

This year has seen much preparation for moving SPL collections. One project all three music librarians worked on last summer was score weeding. Many items are being replaced, though some cannot be, e.g., Goetchius's analytical symphony scores for piano and a number of interesting opera collections for piano 4 hands. We all made surprising discoveries along the way, including some works by local composers. Bob was able to gain space by weeding out extra piano-vocal opera scores and John came up with a quick solution for mending "Gamble-type" sheet music bindings.

A high point this year was my attendance at the American Guild of Organists Convention, July 2-6 at the Sheraton Hotel and at many churches in Seattle, as well as the Lagerquist Hall at Pacific Lutheran University in Tacoma. Daily concerts were of very high quality featuring nationally known organists; a variety of church services included newly commissioned works. A recent issue of The American Organist provides reviews. Workshops I attended included early French music, Baroque registration, chorale preludes by Bach (which sound less like Bach than others) and "How to get one's music published."

On July 7th & 8th I attended a separate French music seminar presented by Naji Hakim and Marie-Bernadette Dufourcet Hakim, respectively composer and performer of a concerto programmed at Benaroya Hall on July 6th. Naji Hakim's association with Messaien and both presenters' long study with Jean Langlais made this a very worthwhile seminar.

Film Night at the American Dance Therapy Convention in Seattle on October 26^th included an inspiring portrayal of Trudi Schoop's work with the severely mentally ill and examples of two therapists' work with breast cancer patients. Preceding the films I attended an "Introduction to Dance Therapy" by Christine Hopkins of Seattle.

· Paula Elliot

Paula Elliot sends greetings to everyone, and looks forward to welcoming the chapter to the spring meeting on the campus of Washington State University.

· Hollis Near

This has been my first year as Director of Library Services at Cornish College of the Arts. For those who may not be familiar with our curriculum, Cornish offers BFA degrees in Art, Dance, Design, Music, Performance Production, and Theater. At the same time I started, Cornish also hired three new department chairs in Music, Art and Design -- a significant transfusion of new blood.

The library now has a web page and the online catalog is finally web-based. Both located at http://www.cornish.edu/library/. In September we were awarded $10,000 from a grant proposal made earlier this year to the Allen Foundation for Music to help establish a core collection of music cds. We have a number of gems, but the collection has lacked many of the core works needed for an undergraduate music curriculum. We will continue to work toward a core collection while maintaining an emphasis on Jazz and 20th Century/Contemporary Composition.

We have established a listening center on the south campus in close proximity to the music and dance departments. It contains all our sound recordings and music/dance videos as well as selected scores and books on class reserve. The main collections of scores and music books are still housed in the library.

For staffing the listening center we are very lucky to have found Marchette DuBois. She is a library technician with a music degree who worked at the Cornell Music Library and (hallelujah) has already worked on a music recon project.

Plans are underway for a new building which will include the library and increase its size from 2,200 sq. ft. to 15,000 sq.ft. As with all such plans, it's best to wait until the ground is broken to get too excited, but things appear to be on the right track for now.

· John Brower

The Chinese have a saying "May you live in interesting times." I have also heard that this is a curse! This has been a very interesting year. On a personal level I am a single parent of three wonderful teenagers! (God help me!) I have moved back to Seattle to be closer to home and work. I am also looking for new ways to express my musical talents. All of this is happening at the same time we are getting our collection ready for the first of two moves in the next three years. The word is that we will be moving into our temporary library in June of 2001. This will be quite a squeeze since we will have half of the space we have now. We will stay there for two years and then we will move into the newly constructed library, the model of which many of you saw at our annual meeting.

As a result of this move we are very busy going through the collection and weeding like mad. Thankfully, we are able to replace much of what we discard. We are also going through the LP's and replacing what we can on CD. As a result we should open up to business on July 1st, 003 with a nice shiny new collection. I can't wait to show it off to all of you. Stay tuned!

Leslie Bennett

2490 Columbia St

Eugene OR 97403

(541) 484-4749 (h)

1299 University of Oregon

Knight Library

Music Services Dept.

Eugene OR 97403-1299

(541) 346-1930 (o)

lbennett@oregon.uoregon.edu

John Brower

3815 NE 123 St..

Seattle, WA 98125

(206) 362-9009

Seattle Public Library

1000 Fourth Ave

Seattle WA 98104

(206) 386-4615

john.brower@spl.org

Paula Elliot

410 Dexter St. SE

Pullman WA 99163

Washington State University

Holland Library

Reference Dept.

Pullman WA

(509) 335-8126 (o)

elliotp@wsu.edu

Monica Fazekas

303-2623 Richmond Rd.

Victoria BC,

Canada V8R 4S8

University of Victoria

1-250-721-8259

fazekasm@uvic.ca

Catherine Gerhart

8012 Roosevelt Way NE

Seattle WA 98115

(206) 527-8252 (h)

Monographic Services Division

Box 352900

University of Washington

Seattle WA 98195-2900

(206) 685-2827 (o)

gerhart@u.washington.edu

John Gibbs

University of Washington

Music Library

Box 353450

Seattle WA 98195

(206) 543-1159 (o)

gibbs@u.washington.edu

Christine Grandy

1254 W 10th Ave

Eugene OR 97402

(541) 343-0345

Knight Library

University of Oregon

Eugene OR 97403-1299

(541) 346-1850

cgrandy@oregon.uoregon.edu

Terry Horner

401-1003 Pacific St.

Vancouver, BC, Canada V6E 4P2

(604) 682-7525 (h)

University of British Columbia

Music Library

6361 Memorial Rd.

Vancouver, BC, Canada V6T 1Z2

(604) 822-1317 (o)

thorner@interchange.ubc.ca

Deborah Jones

5612 Fairlight Crescent

Delta BC

Canada V4E 1B4

(604) 596-3967 (h)

Music Cataloger

Vancouver Public Library

350 West Georgia Street.

Vancouver BC

Canada V6B 6B1

(604) 331-3836 (o)

deborjon@vpl.vancouver.bc.ca

Dorothea Kelsey

1200 Mira Mar Ave.

Apt. 192

Medford OR 97504-8561

(503) 857-6796 (h)

Sheila Knutsen

9212 1st St NW

Seattle WA 98107

(206) 789-1255 (h)

Seattle Public Library

Fine & Performing Arts

1000 Fourth Ave

Seattle WA 98104

(206) 386-4615 (o)

sknutsen@spl.org

Marsha Maguire

1851 2nd St.

Kirkland, WA 98033

(425) 828-6539 (h)

University of Washington

Cataloging Dept.

(425) 450-1997

mmaguire@u.washington.edu

Kevin McLaughlin

5409 N.E. 65^th St., Apt. 5

Seattle, WA 98115

(206) 526-1939 (h)

Seattle Public Library

1000 Fourth Avenue

Seattle WA 98104

kmclaugh@u.washington.edu

Hollis Near

632 NW 53^rd St.

Seattle, WA 98107

(206) 784-2347

Cornish College of the Arts

Library

710 East Roy St.

Seattle, WA 98102

(206) 726-5040

hnear@cornish.edu

Deborah Pierce

University of Washington

Music Library

Box 353450

Seattle WA 98195-3450

(206) 543-1159 (o)

(206)543-9285 (fax)

dpierce@u.washington.edu

Robert Puff

RPM Seattle Music Preparation

12112 NE 162^nd PL

Bothell, WA 98011-4145

(425) 415-1500 (h)

(425) 415-1500 (w)

(425) 415-1515 (fax)

robert@rpmseattle.com

www.musicprep.com

Thomas Quigley

101-2255 York Ave

Vancouver BC

Canada V6K 1C5

Vancouver Public Library

Joe Fortes Branch

870 Denman St.

Vancouver BC

Canada V6G 2L8

(604) 731-9607 (h)

thomqui@vcn.bc.ca

Marcia Reed

3261 10th Ave W

Seattle WA 98119

(206) 282-9005 (h)

Cindy Richardson

808 NW 52nd St

Seattle WA 98107

(206) 782-1235 (h)

Cataloging Dept.

King County Library System

960 Newport Way N.W.

Issaquah, WA 98027

(425) 369-3346 (o)

cindyr@kcls.org

Marian Ritter

Western Washington University Music Library

Bellingham, WA

98225-9107

(360) 650-3696 (o)

(360) 650-7974 (fax)

Marian.Ritter@wwu.edu

Anna E. Seaberg

632 NW 53rd St

Seattle WA 98107

(206) 784-2347 (h)

King County Library System

960 Newport Way N.W.

Issaquah, WA 98027

(425) 369-3334 (o)

aseaberg@halcyon.com

Laurel Sercombe

5518 38th Ave NE

Seattle WA 98105

University of Washington

Ethnomusicology Archives

School of Music

Box 353450

Seattle WA 98195

(206) 543-0974 (o)

julius@u.washington.edu

Carolyn Shandler

Vancouver Academy of Music

1270 Chestnut St.

Vancouver BC

Canada V6J 4R9

(604) 734-2301

(604) 731-1920 (fax)

library@vam.bc.ca

shandler@interchange.ubc.ca

Kate Shelby-Martin

7710 201^st St SW

Edmonds WA 98026

Seattle Pacific University Library

3307 3^rd Ave. West

Seattle WA 98119

(206) 281-2638 (o)

kshelmar@spu.edu

Fran Smith

5252 38th Ave. NE

Seattle, Wa 98105

Puget Sound Regional Council

1011 Western Ave.

Seattle, WA

fsmith@psrc.org

Beverly B. Stafford

Music Librarian/Humanities Reference

Multnomah County Library

801 SW Tenth

Portland, OR 97205-2597

stafford@multcolib.org

Katherine Stevens

5051 40^th Ave SW

Seattle, WA 98136

(206) 937-4912

Sunhawk.com

223 Taylor Ave. N Ste. 200

Seattle, WA 98109

(206) 728-6063

Bob Tangney

Fine and Performing Arts Dept.

Seattle Public Library

1000 4^th Ave.

Seattle, WA 98104

(206) 386-4612 (o)

(206) 386-4616 (fax)

bob.tangney@spl.org

www.spl.org/finearts/fpahome.html

Kirsti Thomas

635 N. Anderson

Tacoma, WA 98406

Sunhawk.com

223 Taylor Ave. N Ste. 200

Seattle, WA 98109

(206) 728-6063

kirsti.thomas@sunhawk.com

Judy Tsou

11719 Exerter Ave NE

Seattle, WA 98125

University of Washington

Music Library

Box 353450

Music Building

Seattle, WA 98195

(206) 685-3140 (o)

jstsou@u.washington.edu

Kirsten Walsh

912 E. 30th Ave

Vancouver BC

Canada V5V 2W3

University of British Columbia

Music Library

6361 Memorial Rd

Vancouver BC

Canada V6T 1Z2

(604) 822-1408 (o)

(604) 822-1966 (fax)

kwalsh@interchange.ubc.ca

Betty Woerner

Instructional Media Center

Reed College

3203 SE Woodstock Blvd

Portland OR 97202-8199

(503) 777-7352 (o)

(503) 777-7786 (work fax)

bwoerner@reed.edu

Pacific Northwest Chapter Music Library Association

Membership Renewal Form

May 2000 to May 2001

Name: _______________________________________

Address: (please check the box you prefer for MLA mailings)

q Library/Business Address:

________________________Dept.

________________________Library/Business Name

________________________Street Address/PO Box #

________________________City, State/Province

Zip/Postal Code Country ________________________Work Phone

________________________Work Fax No.

________________________Email Address

________________________Web Site (dept/music related)

q Home Address:

________________________Street Address

________________________City, State/Province

Zip/Postal Code Country

________________________Home Phone/Fax

_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

Membership Dues: $10.00 US funds per year (a receipt will be sent)

Please mail to:

Beverly B. Stafford

Secretary/Treasurer

MLA PNW Chapter

9331 SW 20^th Place

Portland, OR 97219 USA

For questions about MLA membership, send a note to me at the address above, email: stafford@multcolib.org

or phone: work: (503) 988-5728 home: (503) 246-6100

*****Thank you for your support of the PNW Chapter of the Music Library Assoc.*****

MUSIC LIBRARY ASSOCIATION

MEMBERSHIP APPLICATION

Print & complete this form, and mail with your check or credit card information, payable in US Dollars, to:

Music Library Association

6707 Old Dominion Drive, Suite 315

McLean, VA 22101

Please Mark Your Membership Category:

__ Corporate Patron $ 500

__ Corporate Member $ 300

__ Sustaining Member $ 150

__ Individual Member $ 75

__ Institutional Member $ 90

__ Associate Member (same household) $ 55

__ Student Member $ 35

__ Retired Member $ 45

Subscription to Notes for Non-Members:

__ Individual $ 70

__ Institutional $ 80

Membership dues $ _____

Postage (Postage for members outside the U.S. is $10) $ _____

Notes subscription only $ _____

Postage (Postage for subscribers outside the U.S. is $5) $ _____

Placement Service and Job List ($15) $ _____

TOTAL $ _____

___I am paying by credit card (please fill out the information below):

Please check one: ___VISA ___MASTERCARD

Card Number: ________________________Exp. Date: ______

Signature: ________________________________________

___My check or money order is enclosed.

NAME:

_______________________________________________

ADDRESS: ______________________________________________________________________________________________

____ Please send me information about my regional MLA chapter

The Newsletter of the Pacific Northwest Chapter of the Music Library Association is published annually in the fall. Send contributions for inclusion in the Newsletter to: Terry Horner, UBC, Music Library, Music Building, 6361 Memorial Road, Vancouver, BC, Canada, V6T 1Z2. E-mail: thorner@interchange.ubc.ca, Fax: 604-822-1966

Seattle 2000

· Betty Woerner

ATTENTION MEMBERS OF MLA CHAPTERS!

Membership Dues: $10.00 US funds per year (a receipt will be sent)

For questions about MLA membership, send a note to me at the address above, email: stafford@multcolib.org

or phone: work: (503) 988-5728 home: (503) 246-6100