Historical Background Scope and Content Restrictions on Access Processing Info Subject Terms |
ca. 1952 | ||||||||||||||||||
| PH Collection No.: | 612 |
| Title: | University of Washington Miller Hall Façade Sculptures Photograph Collection |
| Date Span: | ca. 1952 |
| Quantity: | 43 photographic prints (1 box) |
| Location: | K0184 |
| Languages: | Collection materials are in English. |
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| "Civil Laws" gargoyle on the north façade of Miller Hall, ca. 1952. Special Collections, UW Libraries, UW22184z |
| Funding for encoding this finding aid was partially provided through a grant awarded by the National Endowment for the Humanities. |
The University of Washington's Miller Hall, named for University regent, William Winlock Miller, is one of seven neo-Gothic buildings on campus with gargoyles and façade sculptures in niches near the top stories. Built in 1922, and originally known as Education Hall, the structure housed the University president and administrative offices, and the education and engineering colleges.
Alonzo Victor Lewis (1886-1946) created the 44 sculptures on Miller Hall's third story. Lewis was born in Utah, received art training at the Art Institute of Chicago, and established a studio in Seattle in 1920, where he specialized in sculpture and oil painting. Lewis also taught sculpture at the University of Washington, and was named Washington Sculptor Laureate by the State Legislature. Among his best-known works are "The Doughboy" at the Seattle Center, "Victory Memorial" on the state capital grounds at Olympia, and the Abraham Lincoln memorial sculpture in Spokane.
The collection contains photographs of the façade sculptures (grotesques) and gargoyles on Miller Hall, sculpted by Alonzo Victor Lewis in 1922. Since the building was named Education Hall at the time, Lewis's sculptures symbolize education, depicting teachers with students and famous scholars such as Confucius and Dante. Of note are the images of "Fish Teacher," resembling the mythical god Neptune, and "English Public School Students," featuring two young men in top hats.
Collection is open to the public.
Processed by Jen Wolfe, 2002.