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Quality assurance guidance document quality assurance project plan for the Air Toxics Monitoring Program
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Quality assurance report, calendar year ... the PM2.5 ambient air monitoring program
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Quality-adjusted prices : hedonic methods and implications for national accounts /
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Quantifying abundance of Hector's dolphins between Farewell Spit and Milford Sound /
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Quantifying arboreal lichens for habitat management : a review of methods /
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Quantifying stand structural complexity in woodland and dry sclerophyll forest, south-eastern Australia
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quantitative basis for the use of fish as indicators of river health in eastern Australia
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Quantitative description of mainland New Zealand's shallow subtidal reef communities /
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Quantitative ethnobotany applications of multivariate and statistical analyses in ethnobotany /
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Quantitative silviculture for hardwood forests of the Alleghenies Pages 247-376
Quantitative silviculture for hardwood forests of the Alleghenies Pages 1-128 Quantitative silviculture for hardwood forests of the Alleghenies Pages 129-246 |
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Quarterly economic review / 2000
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Quarterly labour force statistics / -  UW restricted (SourceOECD) 1999 to present
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Quarterly national accounts / - UW restricted (OECD iLibrary) 1998 to present
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Quarterly reports for hospitals
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Quaternions as the result of algebraic operations
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Queer cinema as a fifth cinema in South Africa and Australia
Australia had the world's first gay film festival at the Sydney Filmmakers Co-op in June 1976, part of a larger commemoration of the Stonewall Riots in New York City of 1969. In 1994, South Africa became the first country in the world to prohibit discrimination in its constitution on the basis of sexual orientation, whilst allowing for positive discrimination to benefit persons disadvantaged by unfair discrimination. South Africa and Australia, both ex-British colonies, are used in this analysis to explore the way local queer cinematic cultures have negotiated and continue to negotiate dominant social forces in post-colonial settings. It is rare to have analyses of queer cinematic cultures and even rarer to have texts dealing with cultures outside those of Euro-America. This study offers a unique window into the formations of queer cinematic cultures of two nations of the "South." It reveals important new information on how sexual minorities from nations outside the Euro-American sphere have dealt with and continue to deal with longstanding queer cinematic oppressions. A pro-active relationship between queer representation in film and social-political action is considered by academics such as Dennis Altman to be essential for significant social and judicial change. The existence of queer and other independent films in Sydney from the 1960s onward, impacted directly on sexuality, race, and gender activism. In South Africa, the first major queer film festival, the Out In Africa Gay and Lesbian Film Festival in 1994, was instrumental in developing and maintaining a post-apartheid queer public sphere which fostered further legal change. Given the significant histories of activism through queer cinematic cultures in both Australia and South Africa, I propose in this thesis the existence of a new genus of cinema, which I term Fifth Cinema. Fifth Cinema includes Feminist Cinema, Queer Cinema, and Immigrant/Multicultural Cinema and deals with the oppressions which cultures engage with within their own cultural boundaries. It can be informed by First Cinema (classical, Hollywood), Second Cinema (Art House or dual national cinemas), Third and Fourth Cinema (cinemas dealing with the decolonisation of Third World and Fourth World people), but it develops its unique characteristics by countering internal cultural colonisation. Fifth Cinema functions as a heterognosis, where multi-dimensional representations around sexuality, race, and gender are used to assist in broader cultural liberation |
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Queer kinaesthesia on the dance floor at gay and lesbian dance parties Sydney, 1994-1998 /
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Queer space centres and peripheries
Web site of a conference held at the University of Technology Sydney, Feb. 20-21, 2007, convened by the Centre for Social Theory and Design in the Faculty of Design, Architecture, and Building. Drawing together scholars from a broad interdisciplinary field, the conference aimed to encourage discussion of queer space conceived in its broadest sense, by scholars working in disciplines as diverse as architecture, history, urban geography, design, visual communication, cultural studies, and the social sciences. Includes conference proceedings |
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Queering the queer(ed) pomosexual "readings" of Shakespeare's adaptation of Romeo and Juliet /
This thesis investigates Shakespeare's Romeo and Juliet, one of the exemplary heteronormative love stories in Western culture. By engaging in new queer or pomosexual readings of Shakespeare's text, in relation to various adaptations, including Shakespeare in love, Tromeo and Juliet, and Get real, this thesis challenges the traditional heteronormative reading of the play and argues that the play itself is queer. I argue that queering involves the non-normative and disruptive process(es) of reading texts. Adaptation, as a process of re-writing/disrupting a normative, "originary," historically situated text is by definition a queer process. Romeo and Juliet is a historical text that has been adapted, and thus queered, numerous times; Shakespeare's Romeo and Juliet is itself an adaptation and therefore is always already a queer text. Thus, adaptations of Shakespeare's text are necessarily involved in queering the queer(ed): a pomosexual process that ultimately leads to the breakdown of the normative signification system |
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Questions de mathematiques elementaires
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Quick answers surgery - UW restricted (AccessSurgery)
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Quinault Indians
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